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Soft Cell's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell with Marc Almond in Leeds during 1977

The talented musician, one half of the innovative 1980s electronic music duo Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the team scored a global success with their version of Gloria Jones' the classic track Tainted Love in 1984, and their first record their initial full-length release is considered a classic of electronic music.

He later founded the innovative techno group The Grid, who achieved chart success with 1994's the hit Swamp Thing.

Ball passed away calmly in his sleep at his residence in London on October 22, just weeks after playing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

During that show, Ball appeared in a mobility chair, as he had for the previous couple of years, after a spate of health issues.

"I ended up injure myself quite a bit," he stated in 2023. "I fractured spinal bones in my back and fractured about five ribs and broke my wrist."

After catching a lung infection and suffering from sepsis, he was placed in an medically-induced sleep and stayed in the hospital for half a year.

However, he had been in "a great place emotionally" over the summer, as he worked on a fresh record with Almond, titled Danceteria, which is set for publication in the coming year.

"He was focused and very pleased with the new album that we literally finished only a few days ago," stated the singer in a tribute.
"It's truly heartbreaking as next year was all set to be such an positive year for him, and I take some solace from the knowledge that he listened to the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the early 1980s

Tributes

Almond described his bandmate as "an exceptionally talented musical genius", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an immense part of my existence and for the songs you created with me. I couldn't be where I am without you."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "constant humor" and "steadfast support".

"Forming a duo with someone is different from joining a group, the bond is incredibly close," he continued.
"That was the case with us. We experienced so many remarkable, incredible, memorable experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Formative Years

Brought into the world into a one-parent family in Chester in the late 50s, Ball was given up for adoption when he was 18 months old.

He grew up in Blackpool with his new family Donald and Brenda Ball, who changed his first name from Paul to his adopted name, alongside his sibling Susan, who was similarly welcomed.

He encountered Almond at an art college in the late 70s, where they were both learning art. Fuelled by a shared love of a music genre, they formed Soft Cell the same year, and quickly recorded an extended play.

Musical Partnership

The duo were an unusual combination: Ball was the quiet musician, hunched over his synthesizer, while Almond was a flamboyant showman, all sparkle and makeup; but they attained a rare musical alchemy.

Ball had developed a fascination with electronic instruments after viewing Kraftwerk appear on a television program Tomorrow's World, and began to combine moody electronic sounds to the catchy tunes Almond was writing.

Their signature song became the UK's second most popular single of 1981, shifting millions of copies worldwide. Together with hits by other artists, Human League and electronic acts, it contributed to cleared the path for the synth-pop sound of the 80s.

The song was also featured on their full-length debut, Non-Stop Erotic Cabaret, which spawned two additional top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the separate release, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The duo were working on new material until just before Ball's death

Career Highlights

Fame had its benefits. "I enjoyed being able to afford my initial property, having financial security and travelling, which makes me sound like a Miss World," Ball not long ago shared with a publication.

But it also caused problems. "Newfound wealth meant we could purchase substances to relieve the boredom" of media interviews and TV performances, Ball explained.

"I know that's a common saying, but it's a cliché for a good reason, because it works for so many bands."

During the hedonistic lifestyle, the duo were also drifting apart, but they succeeded to produce a second classic album - the unconventional, edgy and aptly-titled The Art Of Falling Apart.

They put out another LP, their 1984 release This Last Night In Sodom, before dissolving the band to concentrate on individual endeavors.

Almond went on to have a successful solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with melodic sounds over a long-lasting partnership.

Reunions and Final Projects

Soft Cell reunited in 2001, producing the Top 40 album Cruelty Without Beauty.

Following another hiatus, they returned in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the O2 Arena on 30 September, that year.

Yet, they remained active, creating their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball recently characterized the band's upcoming release as a homage to the NYC nightlife they visited while making their first two albums.

He noted that his period in hospital had influenced the group's music.

"I experienced strange recollections when I was coming and going of hospital because I was on pain medication," he explained to a music magazine.
"Our latest tracks are a electronic representation of the noises in my head from those days.
"In parallel, it's about the experiences me and Marc got up to in the 1980s."

The last versions were completed only a short time before Ball died. It is scheduled for release in Spring 2026.

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Antonio Owens

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